Screenwriting

From: $104.00 / month for 8 months

Grades:  9th–12th

Class:  Tue 12:00–1:00 p.m. ET

Dates:  Aug 25, 2025–May 8, 2026

Prepaid:  $749

Instructor:  Melissa Amos

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Course Description

Screenwriting Syllabus coming

This 2 semester course provides a practical introduction to the art and craft of screenwriting. Students will explore the essential elements of visual storytelling, including structure, setting, conflict, character development, subtext, foreshadowing, pacing, and theme.

In the first semester, students will focus on developing their ideas, creating an outline, learning screenplay structure and formatting, and writing the first act of their screenplay. In the second semester, students will finish writing their screenplay and look at how to revise. Students must take semester 1 to be enrolled in semester 2 of this course.

Assignments will consist of a mix of creative writing exercises, discussion, and individual work on the student’s own screenplay. Through writing exercises, students will explore how to tell a story through images, develop and pitch their ideas, create memorable and believable characters, build conflict and tension, use subtext when writing dialogue, and learn proper screenplay formatting.

Because screenwriting depends on both creativity and a critical understanding of dramatic structure, students will read and discuss selected screenplays to gain a deeper sense of the techniques writers use to bring a story to life on screen.

By the end of the full-year course, each student will have a completed outline and feature-length screenplay of their own.

Course Objectives

Through this course students will be able to:

  • Identify the elements of dramatic structure
  • Create a well-rounded protagonist with a goal, conflict and arc
  • Develop an idea into a feature length outline and treatment
  • Create strong descriptions establishing characters, setting, and atmosphere
  • Develop a logline and pitch for a screenplay
  • Use subtext when writing dialogue
  • Learn how to use foreshadowing and pacing to build tension and/or suspense
  • Understand the revision process
  • Learn to provide constructive feedback and criticism
  • Analyze and write studio-style coverage for a feature length script

Course Structure

As a creative workshop-style class, students will get the most from this class by actively participating. Weekly assignments will be a mix of writing exercises, script pages, journal responses, discussion, and assigned readings. Homework will be assigned each week through Canvas. All weekly assignments and readings need to be completed prior to each week’s live class.

The course will have two main focuses: analyzing dramatic structure in existing screenplays and applying that structure to the student’s own writing.

  • Dramatic Structure
    • Students will start by looking at the dramatic structure and visual storytelling used in selected short films and screenplays. Students will analyze how each uses conflict, character, inciting incident, reversals, climax, resolution, theme, cause & effect and imagery to tell the story.
  • From Idea to Outline
    • Students will apply the elements of dramatic structure to develop an idea for a feature length screenplay. We will look at different approaches to structuring a screenplay, including the traditional three-act structure, sequencing, and The Hero’s Journey. We will explore the requirements of different genres as well as nontraditional and nonlinear storytelling. Students will also learn how to craft a logline and pitch.
  • Writing and Revising
    • Working from their outlines, students will write the first act (approx. 30 pages) of their screenplay in semester 1 and the remainder of the screenplay in semester 2. Writing goals and exercises will be given for each week, with students receiving feedback along the way. Students will learn to give constructive notes and feedback. Proper screenplay formatting will be introduced.
  • Screenplay analysis
    • Students will get a look at the development process and learn how potential scripts are evaluated by readers and producers. They will conclude the course by writing studio-style coverage for an assigned screenplay — assessing its strengths, weaknesses, and marketability — and deciding whether or not they would greenlight the script.

Who should enroll?

This class is designed for students in grades 9 – 12 who enjoy writing creatively. Students do not need to have previous screenwriting or film experience. Since the elements of dramatic writing apply beyond film, students will find the skills learned will help strengthen their writing in other areas like short stories, novels, and narrative essays.

Technology Requirements

  • Final Draft screenwriting software
  • High speed, broadband Internet
  • Sound card and microphone (for live sessions)
  • Streaming video capabilities to watch recorded lectures

Evaluation and Feedback

Students will receive individual feedback and notes on their writing and outlines.

Because creative writing is about the process as well as the product, students will be evaluated on their growth as a writer in addition to their understanding and demonstration of the skills they learn. Being a writer is not just about producing flawless work; it’s also about the evolution and improvement of one’s abilities over time.

Communication

I’m always available for questions from both students and parents. I can be contacted through Canvas or via email at mamos[at]aimacademy.online.

Required Texts

There is no textbook for this class.

Tentative list of selected screenplays (subject to change, however will be finalized by May) ** links to screenplays will be provided in Canvas)

  • Some Like It Hot by Billy Wilder & I.A.L Diamond
  • The Truman Show by Andrew M. Niccol
  • The King’s Speech by David Siedler
  • A Quiet Place by Brian Woods, Scott Beck & John Krasinski
  • Into the Spider Verse by Phil Lord & Rodney Rothman
  • 127 Hours by Danny Boyle & Simon Beaufoy
  • Wall-E by Andrew Stanton
  • Mean Girls by Tina Fey
  • The Sixth Sense by M. Night Shyamalan
  • The Social Network by Aaron Sorkin
  • Juror #2 by Jonathan A. Abrams Pan’s Labyrinth by Guillermo del Toro
  • True Grit by Joel & Ethan Coen
  • How to Train Your Dragon by Dean DeBlois & Chris Sanders

Supplies:

  • Final Draft screenwriting software
  • Package of 3×5 colored index cards (blue, green, yellow, red)
  • Optional: bulletin board & pushpins

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Instructor Bio

Melissa Amos

Melissa has an MFA in Film from Loyola Marymount University and is an award-winning copywriter for film and television, She has worked on marketing campaigns for productions such as What We Do in the Shadows, Alice in Wonderland, Watchmen, and Zootopia. Prior to that she was a reader/story analyst for various production companies as well as the Sundance Institute’s Director Labs. As a teacher and theatre director, Melissa fostered outreach programs to bring the arts into local schools. One of her favorite things is to see students connect with stories — whether it’s Shakespeare or Star Wars.

Melissa is also a homeschool mom who loves learning alongside her two sons in sunny California where they can usually be found exploring museums, farmers’ markets, hiking trails, visiting bookstores, and teaching new tricks to the family corgi. Contact: mamos[at]aimacademy.online

All classes taught by Melissa Amos